Carmen Moreno-Nuño

  • Associate Professor of Hispanic Studies
  • Director of Graduate Studies
  • Hispanic Studies
  • International Film Studies
1125 Patterson Office Tower
(859)-257-7092
Research Interests:
Education

BA in Philosophy, Universidad de Granada, Spain, 1992
PhD., University of Minnesota, Minneapolis, 2000

Research

Carmen Moreno-Nuño’s research focuses on the cultural representation of the historical memory of the Spanish Civil War and the postwar era in democratic Spain.

Areas of Specialty:

Contemporary Spanish Literature and Culture

§  Narrative

§  Visual Studies: Painting, Film, Comic-Strip, Photography

§  Myth Theory, War Studies, Trauma Studies, Memory Studies

Selected Publications: 

Books:

Haciendo Memoria: Memoria, Historia y Cultura en la España del siglo XXI. Accepted for publication by Vervuert/Iberoamericana.

Armed Resistance: Cultural Representations of the Anti-Francoist Guerrilla. Antonio Gómez López-Quiñones and Carmen Moreno-Nuño eds. Hispanic Issues On Line/HIOL. Vol. 10. Minnesota UP: Fall 2012. http://hispanicissues.umn.edu/ArmedResistance.html

Las huellas de la Guerra Civil: Mito y Trauma en la narrativa de la España democrática Madrid: Libertarias, 2006.

Recent Articles:

(Forthcoming 2018) "The Apocalypse in Spanish Cinema." Writing in the End Times: Apocalyptic Imagination in the Hispanic World. Eds. David Castillo and Bradley Nelson. Hispanic Issues.

“Documentales sobre el 15-M: una modalidad plural para una revolución plural.” Fotocinema. Vol. 17. Las revoluciones en el visor: intervención, persistencia, usos. Pascale Thibaudeau and Sonia Kerfa eds. 2018. 125-49. http://www.revistas.uma.es/index.php/fotocinema/index

“La novela de la Guerra Civil (2000-2015) y el gusto por la réplica en Tu rostro mañana de Javier Marías.” Nuevas tendencias literarias: el autor y la crítica (2000-2015). La Nueva Literatura Hispánica, vol. 20, 2016. 99-118. vol. 20, 2016. 99-118.

 "Pasts in Conflict: Stylized Realism and its Discontents in Historical Memory Film". Legacies of Violence in Contemporary Spain: Legal, Political, and Cultural Implications of Franco's Mass Graves. Ofelia Ferrán and Lisa Hilbink eds. Routledge, 2016. 247-64.

“Introduction”. Armed Resistance: Cultural Representations of the Anti-Francoist Guerrilla. Antonio Gómez López-Quiñones and Carmen Moreno-Nuño eds. Hispanic Issues On Line/HIOL. Minneapolis: Minnesota UP, 2012.http://hispanicissues.umn.edu/ArmedResistance.html

“Criminalizing Maquis: Configurations of Anti-Francoist Guerrilla Fighters as Bandoleros and Bandits in Cultural Discourse”. Armed Resistance: Cultural Representations of the Anti-Francoist Guerrilla. Antonio Gómez López-Quiñones and Carmen Moreno-Nuño eds. Hispanic Issues On Line/HIOL. Minneapolis: Minnesota UP, 2012.http://hispanicissues.umn.edu/ArmedResistance.html

“The Spectacle of a National Trauma: Gaze, Space, National Identity, and Historical Memory in Democratic Spain”. Spectacle and Topophilia: Reading Early (and Post-) Modern Hispanic Cultures. David Castillo and Bradley Nelson eds. Hispanic Issues. Vanderbilt UP: 2011. 231-252.

“Migraciones en la pantalla: Visión panorámica del cine español de migración y análisis de Vientos de agua de Juan José Campanella”. Globalización: Un enfoque multidisciplinar. Víctor González Sánchez ed. Valencia: UNED / Tirant Lo Blanch, 2010. 229-56.

“The comic-strip of historical memory: An analysis of Paracuellos by Carlos Giménez, in the light of Persépolis by Marjane Satrapi and Maus by Art Spiegelman”. España en armas: Culture of Wars/War of Cultures. Ed. Antonio Gómez López-Quiñones.Vanderbilt Journal of Luso-Hispanic Studies 4 (2009): http://ejournals.library.vanderbilt.edu/lusohispanic/viewissue.ph

Recent Invited Lectures:

2018    “La dificultad como hermenéutica: Tu rostro mañana de Javier Marías, u otra maldita novela sobre la guerra civil.” Narrativa de la Guerra Civil Española Conference. Ministerio de Cultura, Educación y Deporte. Centro de la Memoria Histórica, Salamanca. October.

2017   “La criminalización del maquis: configuraciones culturales de los guerrilleros anti- franquistas como bandoleros y bandidos.” University of Paris 8, Paris (France). June.

2015   “Is Investigative Fiction Filling the Void Left by a Commodified Media: What García Lorca's Exhumation Tells us about Hispanism.” Renewing the Gaze: Socio-Historical Approaches to Hispanic Issues. University of Minnesota. November.

Editorial Work:

Member of the Editorial Board of Revista de ALCES XXI: Journal of Contemporary Spanish Literature and Film.

 

 

 

 

 

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