Carmen Moreno-Nuño

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Education: 
BA in Philosophy, Universidad de Granada, Spain, 1992
PhD., University of Minnesota, Minneapolis, 2000
Research: 

Carmen Moreno-Nuño’s research focuses on the cultural representation of the historical memory of the Spanish Civil War and the postwar era in democratic Spain.

Areas of Specialty:

Contemporary Spanish Literature and Culture

§  Narrative

§  Interdisciplinary Studies: Painting, Film, Comic-Strip, Photography

§  Myth Theory, War Studies, Trauma Studies, Memory Studies

Selected Publications: 

Books:

Armed Resistance: Cultural Representations of the Anti-Francoist Guerrilla. Antonio Gómez López-Quiñones and Carmen Moreno-Nuño eds. Hispanic Issues On Line/HIOL. Vol. 10. Minnesota UP: Fall 2012. http://hispanicissues.umn.edu/ArmedResistance.html

Las huellas de la Guerra Civil: Mito y Trauma en la narrativa de la España democrática Madrid: Libertarias, 2006.

Recent Articles:

“Introduction”. Armed Resistance: Cultural Representations of the Anti-Francoist Guerrilla. Antonio Gómez López-Quiñones and Carmen Moreno-Nuño eds. Hispanic Issues On Line/HIOL. Minnesota UP (forthcoming Fall 2012).

“Criminalizing Maquis: Configurations of Anti-Francoist Guerrilla Fighters as Bandoleros and Bandits in Cultural Discourse”. Armed Resistance: Cultural Representations of the Anti-Francoist Guerrilla. Antonio Gómez López-Quiñones and Carmen Moreno-Nuño eds. Hispanic Issues On Line/HIOL. Minnesota UP (forthcoming Fall 2012).

“The Spectacle of a National Trauma: Gaze, Space, National Identity, and Historical Memory in Democratic Spain”. Spectacle and Topophilia: Reading Early (and Post-) Modern Hispanic Cultures. David Castillo and Bradley Nelson eds. Hispanic Issues. Vanderbilt UP: 2011. 231-252.

“Migraciones en la pantalla: Visión panorámica del cine español de migración y análisis de Vientos de agua de Juan José Campanella”. Globalización: Un enfoque multidisciplinar. Víctor González Sánchez ed. Valencia: UNED / Tirant Lo Blanch, 2010. 229-56.

“The comic-strip of historical memory: An analysis of Paracuellos by Carlos Giménez, in the light of Persépolis by Marjane Satrapi and Maus by Art Spiegelman”. España en armas: Culture of Wars/War of Cultures. Ed. Antonio Gómez López-Quiñones.Vanderbilt Journal of Luso-Hispanic Studies 4 (2009): http://ejournals.library.vanderbilt.edu/lusohispanic/viewissue.ph

Recent Invited Lectures:

October 2012 – "Armed Resistance in Spain: Cultural Representations of the Anti-Francoist Guerrilla from the Dictatorship to Democracy". Kansas State University.

            April 2012 – "La buena nueva". Helena Taberna on the Couch. Carleton College.

March 2011 – “Migraciones para la pantalla global: Vientos de agua de Juan José Campanella”. Spain to and fro: Perspectives on Immigration. SUNY at Buffalo.

November 2009 – “The Globalization of Cultural Historical Memory: Guillermo del Toro’s The Devil’s Backbone”. SUNY at Buffalo.

July 2008 – “Inmigración y cine”. Summer course Goblalización e inmigración. Aspectos Jurídicos y económicos. Universidad Nacional de Educación a Distancia (UNED). Pontevedra.

Editorial Work:

Member of the Editorial Board of Revista de ALCES XXI: Journal of Contemporary Spanish Literature and Film.

 

 

 

 

 

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